|Self-portrait cartoon of Ward, |
perhaps reflecting how he saw
himself, as a leader/Leo
Charles was, additionally, a local politician of some significance, eventually becoming a Freeman of the Borough of West Ham. What follows is a brief account of his work and public service, pieced together from a number of sources. We would be delighted to hear from any of his descendants, with whom it would be great to share more information about him.
Charles was born in Walworth, South London in 1874, the son of Frederick, a print machine manager, whom he followed into "the print". He was indentured as a compositor's apprentice to T Scott, in South East London in the late 1880s.
By the end of his apprenticeship - the quality of his work was being recognised by the professional press, for its "excellent workmanship".
|Attracting favourable attention|
from printing trade press, 1890's
It would appear that he became a business partner of a Mr Whiteway and they established a printing company at 98 Woodgrange Road, which designed and produced work, of a high standard for local and national businesses and organisations.
|Letterhead, of the Ward, Whiteway partnership|
and the local papers they produced, dated 1890s
|Well-designed promotional literature,|
when still in partnership with Whiteway
|Poor reproduction of photo|
of Ward's business premises
at 98 Woodgrange Road (undated)
|The business premises today|
- a local mosque
What follows is a selection of some of Ward's artwork held in Newham archives - to whom thanks are given for being able to access the material.
Much of it consisted of what would normally be mundane work for a local jobbing printer - business cards and stationery, letterheads, invitation cards, adverts etc for local traders - but incorporated unusually high design standards of design for such a press.
|Local advertising literature - better|
than a bog standard leaflet! (1)
|Local advertising literature - better|
than a bog standard leaflet! (2)
|Forest Gate School of |
Music party programme
|School of Music social soiree|
|Well designed tickets for small local event|
|Programme, for similar event|
|One of Ward's less successful designs,|
perhaps. Suggesting he was promoting
the activities of a Raper and Lothier!
|Reputation and work beyond Forest Gate (1)|
|Reputation and work beyond Forest Gate (2)|
|Reputation and work beyond Forest Gate (3)|
|Reputation and work beyond Forest Gate (4)|
The innovative company not only produced materials for others, but was an early developer of greetings cards, which it published under its own imprint.
|The medium is the message, |
some years before Marshall McLuhan!
|Assorted Christmas cards - 6 a penny!|
|Early producers of greetings cards|
|And blotting paper!|
|Possibly the Victorian world's |
most stylish jam jar cover labels
By 1911 he had moved, with his family, to 26 Clova Road - one of the more salubrious roads in Forest Gate (see photo of the house, today - below), and the company was transformed into a limited company, the Woodgrange Press, in 1913.
|26 Clova Road, Ward's|
house, post 1911
|Art deco print works on Woodgrange|
Road, into which Ward and Co moved,
probably in 1930s. Demolished in 2002.
Thanks to Carol Price, for the photo.
|Charles Ward, 1926|
One of the issues that seriously divided the Labour Party and Municipal Alliance on the local council was their attitude to poor relief (over which local authorities had a large say).
The early 1920s saw a great deal of local distress and unemployment in East London, which councils were charged with addressing. This put huge pressure on their budgets, because the rates' yield was low and the demand for poor relief high.
There was a requirement on councils, from the central government, to 'balance the books' a near -impossible task, without punishing the poor, by reducing council staff wages and cutting the dole to local unemployed people.
Some councils, most notably Poplar, under George Lansbury, fiercely resisted these demands, and were indeed jailed for their civil disobedience in doing so.
There were pressures to resist in a similar fashion in adjacent West Ham.
In 1921, for example, the Minister of Health, Sir William Joynson-Hicks said, while struggling with the Poplar Council rebellion that: "Poplarism is an infectious disease. The infection is already obvious in London Unions, such as Bermondsey and West Ham".
The Municipal Alliance, representing the interest of business ratepayers and the more prosperous of West Ham was fiercely opposed to the kind of civil disobedience being undertaken by Poplar Council, and by implication and spread of it to West Ham.
Charles Ward was very explicit in this opposition, when in an election meeting in 1922 he said "The Municipal Alliance does not believe in doles, and if the candidates were returned, they would do their best to stop this out-going of public funds".
Reactionary attitudes like this almost sounded the death knoll for the Alliance in West Ham, and Labour almost obliterated it at the election (Labour 18 seats, Municipal Alliance 6). Ward, however, survived, representing the Forest Gate ward, the most prosperous in borough, for many years.
In 1925 West Ham councillors and Poor Law Guardians were summoned to the Ministry of Health, to account for the £1.8m deficit they had run up on the borough's poor relief account. Ward was a member of the delegation that met the then Minister of Health, Neville Chamberlain.
|Ward, second right, at the delegation|
to the Ministry of Health, 1925
|An Evening News cartoon,|
lampooning the Municipal Alliance
attitude to relieving poverty in West Ham
One consequence of the meeting was, however, that the Board of Guardians was removed from office by Chamberlain, the following year, for having defied his edict to move towards the elimination of the deficit. We will return to this affair in a later post.
|No money for poverty relief,|
but some for a silver spade
presented to Ward in 1931,
when flood relief work started
on the River Lea
Charles Ward, despite his contrary opinion, remained on the Council at least until 1945, when he was granted Freedom of the Borough, "in recognition of his distinguished local public service". We have almost no further details of Ward and his work, unfortunately.
Charles Ward's Freedom
of the borough of West Ham, 1945
And finally .. probably Charles Ward's longest lasting tribute to the area he did business in and represented on West Ham Council:
We would love to hear from anyone who may have access to Ward's book or any more details of the life of the fascinating local character and gifted graphic artist.